An attempt to categorize the figures in the scene by their body attitude and by the hand and arm gestures they adopt would start at the top with the leisurely pose of Ahkal Mo' Nahb, the king, proceeding through the arm-across-chest gesture of both Yok Nen(?) Tal and K'amaj Bate' and concluding with Muwaan Chatal Aan's gesture, which stands out as the most contrived of all and certainly the least comfortable.